After celebrating my birthday sometime ago, I was impressed to pencil down a couple of things about my experiences growing up as an African woman in Nigeria. Before you end up disappointed, may I warn that this piece is not on any harrowing experience you might be accustomed to reading on the African woman; heart wrenching details of female genital mutilation, forced marriage, Vesico Vaginal Fistulae (VVF), Acquired Immune Deficiency Syndrome (AIDS), hunger, deprivation, rape and other forms of degradation by the male folks.
Without denying the onslaught of these malaises on the continent, I hasten to add that the world has erroneously focused attention on them and completely ignored the triumph of womanhood and the celebration of the extraordinary brand, called the African woman.
My earliest memory was of me in my house in the evening, surrounded by relatives – the ideal African family – listening to their stories, playing games that tested my wit, and learning proverbs in my mother tongue. I remember being passed from one plate to another, feeding from the loving palms of family members and being teased for my generous appetite.
As I grew older, mealtime became my sister, brother and I dipping hands inside the same plate and fighting over who scooped the larger quantity of soup, this was usually before the major bout at the end of the meal about how to share the meat. Several times we went teary eyed to our mother to solicit for separate plates of food, and perhaps a piece of meat each, pledging our Christmas gift to buy the plates and to wash up as soon as we finished eating, but mother would not hear of that. She was ever willing and ready to settle our differences every mealtime, though most times she allowed us to fight and settle ourselves. It never made sense to me. There we were, obviously well above the middle income bracket and yet not being allowed what I considered the least of all luxuries; eating in quiet and privacy, and being able to eat without sharing a thing.
Fortunately, that has been me all my life; very closely knit with my siblings, disagreeing, only to end up agreeing with people around me and always on the lookout for who to share whatever I have with, because I was brought up to dip my hand inside the bowl in unison and never alone.
We also spoke our native language at home. I remember staring jealously at my mates who were brought up with English language and who bore English names. They derogatorily considered those of us who spoke our mother-tongue at home, acting as though speaking English was the sole criterion for success in life. At a time I began to insist on being called my English name and even made enquiries as to whether I could bear my father’s English middle name instead of my indigenous surname. Subconsciously, I detested my parents for raising us with vernacular and lied severally to my mates that I didn’t understand my mother-tongue and that we spoke English at home. I was ashamed of being labeled a ‘bush girl’.
That knowledge of my indigenous language I had mastered is now one of the best gifts given to me by my parents. I can think from two worlds. I have a deep understanding of my culture and environment of birth, rare – I have been told – for someone of my age. I can write my unique experiences and share something in my language and culture that the English-only speaker cannot fathom. Just like Chinua Achebe, Ngugi Wa Thiongo, Wole Soyinka, Ayi Kwei Armah, Chimamanda Adichie and several others.
Yes, it is that same knowledge of so-called “vernacular” that has enabled Chinua Achebe to craft Things Fall Apart, Arrow of God, Man of the People and other bestsellers. The same knowledge of native language stands out Ngugi Wa Thiongo’s The River Between, A Grain of Wheat, Weep not Child and other works. Yes, I do not think my contemporary, Chimamanda Adichie would have been such a successful master of the wordcraft if she is not able to understand her indigenous language syntax. I doubt, I very strongly doubt if I would be the person I am today, and the person I aspire to be tomorrow, if my world was restricted to only one English language.
I am also grateful for my name; Chika – greatest God. In any part of the world I find myself, whenever that name is called, it reminds me of my pristine roots. I am jolted to the realization that wherever I may find myself in life, I must not forget that I represent others unknown to my immediate environment. That I must learn from others, but never copy them because I owe it to the world to make my originality and uniqueness felt. I remain grateful that I am not Chantal, Belinda or Daisy.
My mum, a great story teller would tell us bedtime stories about the tortoise, about the history of my village, of my people, about things that happened in days past; before and during slavery, colonialism and the present post colonial era. She told it, according to her, exactly as it was told by her own mother who herself learnt at the feet of my great-grandmother. The story was often punctuated with deeply inspiring proverbs, brilliant idiomatic expressions and exciting poetry all flowing in one smooth prose. Without realizing it, I was being taught psychology, history, politics, sociology, international relations, geography, literature, religious studies and all in the most loving setting.
At the feet of my mother, I learnt that Africa had a great history prior to slavery and colonialism, that the Igboukwu bronze pot and other artifacts remaining after the plunder by the West was carved with technology and expertise comparable with any available in the present civilization.
Mother taught me to believe in myself, to believe in my people, to be proud of who I am, where I am from, what I do and what I want to do. Knowing my roots, I began to be cautious about my words, actions and thoughts. I gained the awareness that I come from a lineage of achievers; that I descended from the loins of great men and women who conquered territories and amassed great wealth and that I must not scuttle the hierarchy but pass on the baton of greatness to my own offspring. After all, the kid goat is never taught how to chew the curd but looks at the mother’s lips and begins to do same without prodding.
I have grown up with the knowledge that I have a place in this world, that I am Igbo, Nigerian, and African who can stand her ground with anybody of any class, colour and creed. I confirmed this upon my sojourn to the West to get the much acclaimed world class education. There, I realized that back home in Africa I had already been taught the fundamentals of whatever the Whiteman was teaching me; from the lips of my mother, father, elders and relations, dripped the necessary knowledge and wisdom, and I only needed to apply my mind to these principles in order to bring out the creativity and the innovative spirit in me.
As I celebrate my birthday, I have a story of triumph to tell about Africa and the African woman. It is a story of pride in one’s self, of resilience in the face of every imaginable challenge and of a realization that even though slavery and colonialism might have destabilized the black woman’s psyche, her spirit still waxes strong. Although the centripetal forces of Western imperialism might make the average African woman seem battered, gullible and naïve, the truth as evidenced by history negates that image.
As long as the past explains the present and predicts the future, the prognosis is extremely bright for the African woman. The African woman will only be a role model for generations to come and though she is cast as the victim today and portrayed as an object of pity by the media and the world, she is one of the strongest and most graceful creatures ever to thread upon the face of the earth.
First published by NewsAfrica London.


Obiamaka Onyebum
February 21, 2012 at 2:30 pm
I’m one of the strongest and most graceful creatures ever to work the face of the earth!
I totally agree!
Ugha Adaobi
February 21, 2012 at 3:48 pm
Great,I am proud to be an Igbo,a Nigerian and an African!
Hair of Heritage
February 21, 2012 at 6:56 pm
Thank you for writing this! It brought tears to my eyes, it made me incredibly proud. Well written, sister! You reminded me how I need to tell my own daughter more stories about her heritage. Thank you! And keep up the good work!
chioma ezeanya
February 21, 2012 at 7:57 pm
this piece was truly inspiring…am glad to be african.representin naija
Bro. Mxolisi
February 21, 2012 at 8:43 pm
Sister Chika, what a beautiful and heartwarming reflection.
What a precious and powerful experience: Your parents and family not allowing the menace of destructive invaders to undermine and terminate the “kid goat” process of your becoming who you have become. Even more, your appreciation for their diligence, and your deliberate decison to be one through whom the process continues.
A line or two from Ayi Kwei Armah’s “Two Thousand Seasons” raises the question: “What fool speaks only one language?” Unfortunately, there are far too many of us who find ourselves in that pit. Even worse, I think, would be the fool who willingly or unwittingly sacrifices/is denied the subliminal treasures — connections with family-community-nation-culture-worldview — that mother-tongue bestows. Especially in the midst of its abundant availability. My small exposure to Swahili, Mdw Ntr, and Spanish even, nurtures in me this unquenchable desire to be truly free from the limited and limiting orientations to life that the mono-linguistic impositions of history has wrought.
May you continue to know the blessings of longevity and the desire to share with others the liberated/liberating spirit that Creator, parents, elders and others cultivated in your heart and soul.
Ankh, Udja, Seneb!!!
Solomon Madufor
February 21, 2012 at 11:16 pm
Your works on nature and earth creativity are wonderful
Jean-Claude Mporamazina
February 22, 2012 at 4:34 pm
This is great! It is one of the many growing proofs of African renaissance. You are becoming a model for many young Africans, girls and boys alike. Your texts should be mandatory reading in all English classes all over Africa.
genetparadise
February 27, 2012 at 6:33 pm
Beautiful post, thank you for sharing Chika. The African woman is amazing.
Brendan chido elem.
April 13, 2012 at 7:38 am
Am so touched by ur script,my pride as an african has been excavated from the burial ground of fear and timidity.i hv dreamt of ur stories but my lazy hand has kept me away from standing strong thru the sparks of my heart.i never knew i had a treasure right beside me but i hv minned thru hard rocks yet found only glitering pebbles.am proud of u chika de great.how do i send my work for prep
Mary
February 15, 2013 at 1:58 am
This is an interesting piece to read. It is insightful. This is a general writing. I am not necessarily referring to you so note that. Anyway, I thought I should write about something that is inter-racial. Why is it that if a Nigerian woman marries a white man, her peers quietly resent her and perceive her as being free or enjoying freedom, which they will never get amongst other things. I think many African women, whether still in Africa or not, know they have only a little freedom if at all any. Many who have moved to the western world, know they will never get the freedom they enjoy in the west if they were back in their own countries. So they all pretend and pretend and pretend. If you think a Nigerian woman married to a white man is free, it means you are still a slave in your mind. You still Subconsciously see yourself with your fellow Nigerian man as semi-slavery. You still have the old resentments that you had while still in Africa. I hope African women will overcome their inferiority complex and be true to themselves. If an inter-racial marriage is not working, what happens? Well the answer is that, it will be dissolved like any other marriage among Africans. The woman has to move on with her life. I get tired of disgruntled Nigerian women who complain about a Nigerian woman marrying a white man. I am sorry I had to write this here.
Nnenna Achebe
March 1, 2013 at 9:07 pm
Chika, my dearest cousin, this is very inspiring and it brought back loving memories of childhood. Wow, infact, I recommend this to be used for literature classes in our secondary school. Keep your light burning.